Glass Swords
General
| Oct 2011
Reviews
Rasmus Rygaard
Reviewed 2011-11-01
Reviewed 2011-11-01
Chaotic shameless synth fusions. This is even more Hudson Hohawke than HudMo himself. Rustie has created an album of pure bliss. Everything on here is a hot mess, but after placing your tongue firmly in your cheek, you’ll stop asking yourself whether Rustie is actually being serious and just enjoy this masterpiece of a futuristic synth album. Fans of Night Slugs, Zomby, and, of course, Hudson Mohawke should give this a chance.
Try: Everything. And then 4, 13, 5, 10, 7, 8, and 3
FCC: Clean
1) 2:21 A weird synth guitar solo gradually unveiled. Spacey.
2) 3:47 * Heavy, cheesy 80s bass sound and a triumphant synth line on top.
3) 4:34 * Subtle synth pulse turning into BIG swooning beat. Manipulated vocals, glorious chorus.
4) 3:01 ** So, this turn the Seinfeld bass line into a frigging epic synth collision. Not as cheesy as it sounds, just plain awesome.
5) 3:09 ** Huge track. Over the top wobble and stabs.
6) 2:47 Pumping synth ride. I’m pretty sure that’s a vocoder
7) 4:00 * Lots of stuff going on here. Cruncy stabs, some wacky vocals, and a pretty epic lead synth
8) 3:25 Slightly scary sounds. Transitions to straightforward melody with a rusty bassline underneath
9) 3:49 Cascading synths ad nauseum. Squeaky super high-pitched vocals.
10) 3:43 ** Starts slowly, understated. Then, things go crazy. Huge stadium synths and cut-up vocal snippets
11) 1:18 A strange little interlude. Sounds like toy keyboard demo
12) 3:08 Playful and super 80s. Really cheesy vocal samples.
13) 3:23 ** Argh, so epic. So triumphant. Double, triple tempo jam. Sped up beyond any kind of reason, and it just blows you away from there with crazy synth plucking and teeny vocal snippets. Long fade.
Try: Everything. And then 4, 13, 5, 10, 7, 8, and 3
FCC: Clean
1) 2:21 A weird synth guitar solo gradually unveiled. Spacey.
2) 3:47 * Heavy, cheesy 80s bass sound and a triumphant synth line on top.
3) 4:34 * Subtle synth pulse turning into BIG swooning beat. Manipulated vocals, glorious chorus.
4) 3:01 ** So, this turn the Seinfeld bass line into a frigging epic synth collision. Not as cheesy as it sounds, just plain awesome.
5) 3:09 ** Huge track. Over the top wobble and stabs.
6) 2:47 Pumping synth ride. I’m pretty sure that’s a vocoder
7) 4:00 * Lots of stuff going on here. Cruncy stabs, some wacky vocals, and a pretty epic lead synth
8) 3:25 Slightly scary sounds. Transitions to straightforward melody with a rusty bassline underneath
9) 3:49 Cascading synths ad nauseum. Squeaky super high-pitched vocals.
10) 3:43 ** Starts slowly, understated. Then, things go crazy. Huge stadium synths and cut-up vocal snippets
11) 1:18 A strange little interlude. Sounds like toy keyboard demo
12) 3:08 Playful and super 80s. Really cheesy vocal samples.
13) 3:23 ** Argh, so epic. So triumphant. Double, triple tempo jam. Sped up beyond any kind of reason, and it just blows you away from there with crazy synth plucking and teeny vocal snippets. Long fade.
Recent airplay
Surph
Clubbing Zeal — May 08, 2012
Hover Traps
There and Back Again — Dec 13, 2011
After Light
Panorama Barbeque — Dec 13, 2011
After Light
lost and found — Dec 11, 2011
Crystal Echo
Panorama Barbeque — Dec 06, 2011
After Light
There and Back Again — Nov 29, 2011
Charting
2011-10-30 — 2012-01-01
Electronic
| Week Ending | Airplays |
|---|---|
| Dec 18 | 3 |
| Dec 11 | 1 |
| Dec 4 | 3 |
| Nov 27 | 1 |
| Nov 20 | 2 |
| Nov 13 | 3 |
| Nov 6 | 2 |
Track listing
| 1. | Glass Swords | ||
| 2. | Flash Back | ||
| 3. | Surph | ||
| 4. | Hover Traps | ||
| 5. | City Star | ||
| 6. | Globes | ||
| 7. | Ultra Thizz | ||
| 8. | Death Mountain | ||
| 9. | Cry Flames | ||
| 10. | After Light | ||
| 11. | Ice Tunnels | ||
| 12. | All Nite | ||
| 13. | Crystal Echo |