Those Who Don't Do Don't
General
| Jun 2010
Reviews
Murray
Reviewed 2011-01-31
Reviewed 2011-01-31
Noisy garage with lo-fi, psych, math, skronk, and surf overtones at various spots. Guitars, drums, saxes, mostly yelled male voices. Mostly super high energy, off-kilter, & punky.
From Oakland featuring ex-members (drums, sax) of No Doctors. This album released in 2009, but hey. Careerers released "Sears" (their 2nd album) 26 Nov 2010.
Play with Archie Bronson Outfit, Old Time Relijun, Nice Face, The Vanishing, Reatards, The Ex, maybe Dum Dum Girls for contrast.
Awesome and rare (i.e. no longer available, if it ever was). FCC clean as far as I can tell (often unintelligible). Start with 4, 14, 15.
1. Repetitious/chantlike noise rock. Blends nicely w/ next track.
2. Van Halen if they had a minimalist noise aesthetic and recorded to cassette. Play loud fatherfucker.
3. Perky, anthemic noise punk pop. First obvious appearance of sax on the CD.
+ 4. Very Archie Bronson in a good way.
5. Demented, insistent, surfy noise. Voice reminiscent of Grant Hart (Hüsker Dü).
6. Starts with wild sax/drums skronk, then settles to mid-tempo demented darkness. Changes tempo again… then fades.
7. Deerhoofy (nursery rhyme riff plus mathy wackiness)
8. In yo face math noise. Very insistent and percussive.
9. Poppy in a delicious way with off-kilter harmony vox. Quick fade.
10. Cold start with repetitive sax figure.
11. Brief, demented homage to Dylan's Like A Rolling Stone.
12. Skronk dance! Starts with solo sax, then surf drums. Gets goofy.
13. Too fast surf/jazz fragment.
+ 14. Peak of dementedness for this record. Yummy.
+ 15. Hyperspeed fun, slows down & gets anthemy, then fades.
16. Fast & surfy with demented multitracked vocals.
From Oakland featuring ex-members (drums, sax) of No Doctors. This album released in 2009, but hey. Careerers released "Sears" (their 2nd album) 26 Nov 2010.
Play with Archie Bronson Outfit, Old Time Relijun, Nice Face, The Vanishing, Reatards, The Ex, maybe Dum Dum Girls for contrast.
Awesome and rare (i.e. no longer available, if it ever was). FCC clean as far as I can tell (often unintelligible). Start with 4, 14, 15.
1. Repetitious/chantlike noise rock. Blends nicely w/ next track.
2. Van Halen if they had a minimalist noise aesthetic and recorded to cassette. Play loud fatherfucker.
3. Perky, anthemic noise punk pop. First obvious appearance of sax on the CD.
+ 4. Very Archie Bronson in a good way.
5. Demented, insistent, surfy noise. Voice reminiscent of Grant Hart (Hüsker Dü).
6. Starts with wild sax/drums skronk, then settles to mid-tempo demented darkness. Changes tempo again… then fades.
7. Deerhoofy (nursery rhyme riff plus mathy wackiness)
8. In yo face math noise. Very insistent and percussive.
9. Poppy in a delicious way with off-kilter harmony vox. Quick fade.
10. Cold start with repetitive sax figure.
11. Brief, demented homage to Dylan's Like A Rolling Stone.
12. Skronk dance! Starts with solo sax, then surf drums. Gets goofy.
13. Too fast surf/jazz fragment.
+ 14. Peak of dementedness for this record. Yummy.
+ 15. Hyperspeed fun, slows down & gets anthemy, then fades.
16. Fast & surfy with demented multitracked vocals.
Recent airplay
Various selections, Jeffersonsonson
Buford J. Sharkley Presents: As Told to Hervey Okkles — Feb 17, 2024
What I Said
Music Casserole — Jan 26, 2013
Come In My Kitchen
Scatterbrain Radio — Dec 26, 2012
Come In My Kitchen
Brownian Motion — Apr 11, 2012
What I Said
Bisous Bijoux — Apr 12, 2011
What I Said
meow — Feb 15, 2011
Charting
2011-02-06 — 2011-04-10
| Week Ending | Airplays |
|---|---|
| Feb 20 | 1 |
Track listing
| 1. | Giraffro | ||
| 2. | Come In My Kitchen | ||
| 3. | Fancy Sandwich | ||
| 4. | After Dinner Divorce | ||
| 5. | Harold | ||
| 6. | You Can Call Me Nick | ||
| 7. | Whistler's Mother | ||
| 8. | Jeffersonsonson | ||
| 9. | Stealing First Base, Dropping Out Of First Grade | ||
| 10. | Streets | ||
| 11. | Yes We Can't | ||
| 12. | Scotch Chamber | ||
| 13. | Beach Coma | ||
| 14. | Tittystiltskin | ||
| 15. | What I Said | ||
| 16. | No Wonder Where |
