| Akai / Coldest Hour, The |
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| Album: | Coldest Hour, The | Collection: | General | |
| Artist: | Akai | Added: | Feb 2010 | |
| Label: | Self-Release | |||
| A-File Activity |
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| Add Date: | 2010-04-25 | Pull Date: | 2010-06-27 |
| Week Ending: | Jun 27 | Jun 20 | Jun 13 | May 16 | May 9 |
| Airplays: | 1 | 1 | 1 | 1 | 2 |
Recent Airplay
| 1. | Jun 13, 2013: | VOLCANO RADIO: THE FINAL SHAZAM An End Deserving | 4. | Jun 10, 2010: | Pipster Smarmage Not In My Mind | |
| 2. | Jun 22, 2010: | The Orphanage An End Deserving | 5. | May 11, 2010: | Smartie Pop Not In My Mind | |
| 3. | Jun 15, 2010: | The Orphanage An End Deserving | 6. | May 07, 2010: | Everyday Commotion Not In My Mind |
| Album Review |
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| DJ Doublestuf Reviewed 2010-04-22 | ||
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Akai-The Coldest Hour Is Just Before The Dawn (Self-Released) Cheery male/female vocalist expansive indie rock very similar to Stars and Fanfarlo. The production is less immediate than Stars or Fanfarlo but the sonic landscape is wider and bursting with random reverb soaked instruments. The tracks can run together because of their similar mood/feel and chamber pop overdoneness. The album is actually strongest when it ditches the chamber pop reverb, piano, and horns for a punkier, guitar/bass/synth driven sound. Those songs taken as singles would be VERY STRONG. So forgive the filler, and play the hell out the picks. FCC CLEAN. Play: 10, 9, 11, 5 -Doublestuf 1. establishes the band as an indistinguishable chamber pop band. 2. best piano driven track. Plodding, “moon and stars” love lyrics. 3. great and cheery music, melancholy lyrics, strong vocal melody 4. eh 5.* simple but awesome, punkish, huge build up 6. cool vocoder experimentation 7. sounds like filler to me 8. the haunting but positive vocal melody in the background makes this track special 9. ***energetic beat, clear melody, distinctive vocals, powerful, all their strengths come together on this one. 10. ****ditches horns for cool synths, vocalists sounds so much like Jesse Lacey from Brand New. Punkier like 9. 11. **cool accordians, grabbing, almost a jazzy sexy feeling at parts 12. different higher pitched male vocalist. The production is a little overwhelming but the songwriting and lyrics are top notch here. | ||
| Track Listing |
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