Jasmina Maschina / Demolition Series, The
Album: | Demolition Series, The | Collection: | General | |
Artist: | Jasmina Maschina | Added: | Jun 2008 | |
Label: | Staubgold |
A-File Activity
Add Date: | 2008-12-07 | Pull Date: | 2009-02-08 |
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Week Ending: | Feb 8 | Feb 1 | Jan 18 | Jan 4 | Dec 28 | Dec 21 | Dec 14 |
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Airplays: | 1 | 1 | 1 | 2 | 1 | 1 | 1 |
Recent Airplay
1. | Aug 31, 2013: | Music Casserole
Learning To Fly |
4. | Jan 28, 2009: | Hand Wash in Coleslaw
Over |
|
2. | Mar 17, 2009: | The Dark Knight Returns
Over |
5. | Jan 17, 2009: | Music Casserole
Over |
|
3. | Feb 03, 2009: | The Space Jam Revival Hour
Sweet City Sue |
6. | Jan 08, 2009: | Power Hour
Over |
Album Review
Adam Pearson
Reviewed 2009-01-27
Reviewed 2009-01-27
Subdued folk with experimentation in electronics. Jasmina Maschina is one half of the post-rock duo, Minit, and it is no surprise that this album is so richly atmospheric, beyond a normal folk album. The album features guest musicians who add guitar, melodica, piano, drums, and additional vocals to the mix. This is a strong album, very mellow, warm and has enough unique touches to make it different. FCC violation on track 5.
1. Simple folk with textures of strings and other subtleties (3:41)
2. Some sort of woodwind instrument and an organ open the track, light backing vocals, warm, slightly repetitive outro (4:08)
*3. Subtle textures and drenched guitars slowly build to smoothly gorgeous choruses, probably the most accessible song on the album(4:07)
4. A dark melody precedes layered guitars, and an unidentifiable instrument’s solo(2:10)
5. FCC violation, vocals and guitars are poppy, builds to an atmospheric bridge and perhaps a horn(?) adds another texture/layer(4:55)
6. Intro sounds almost Eastern, melodica present?, (3:41)
*7. Slow piano, acoustic guitar with some delay effects, changes directions mid-song and shifts to a an uptempo jammy-type outro(5:57)
8. Production sounds very Iron & Wine, percussion is subtle and a bit experimental, really pretty incorporation of disparate elements (4:33)
9. Like track 8, folk core is surrounded by countless inputs of texture subtlety, samples, guitars, effects; lots of feedback end the track(8:09)
1. Simple folk with textures of strings and other subtleties (3:41)
2. Some sort of woodwind instrument and an organ open the track, light backing vocals, warm, slightly repetitive outro (4:08)
*3. Subtle textures and drenched guitars slowly build to smoothly gorgeous choruses, probably the most accessible song on the album(4:07)
4. A dark melody precedes layered guitars, and an unidentifiable instrument’s solo(2:10)
5. FCC violation, vocals and guitars are poppy, builds to an atmospheric bridge and perhaps a horn(?) adds another texture/layer(4:55)
6. Intro sounds almost Eastern, melodica present?, (3:41)
*7. Slow piano, acoustic guitar with some delay effects, changes directions mid-song and shifts to a an uptempo jammy-type outro(5:57)
8. Production sounds very Iron & Wine, percussion is subtle and a bit experimental, really pretty incorporation of disparate elements (4:33)
9. Like track 8, folk core is surrounded by countless inputs of texture subtlety, samples, guitars, effects; lots of feedback end the track(8:09)
Track Listing
1. | Sweet City Sue | 6. | Sit With Me | |||
2. | Holy Holy Holy Word | 7. | Slow Walker | |||
3. | Over | 8. | Under Sea | |||
4. | Learning To Fly | 9. | Asleep (Minit Variation) | |||
5. | Sister | . |