Skeleton Key Orchestra
Jazz
| Jan 2004
Reviews
Craig Matsumoto
Reviewed 2004-03-13
Reviewed 2004-03-13
Exciting jazz orchestra music with horns, strings, electric guitar, xylophone, etc. The composing has the richness of '60s jazz -- swinging or bopping unison lines, that sort of thing -- and is very well performed. This took a lot of work.
These are long pieces (11-36 minutes in a two-disk set) that combine the composed parts with some avant-minded soloing, lots of free-space improvising and, on a couple of tracks, some wacky electronics and sound effects. Tracks go through multiple phases and do well at "telling a story." Impressive stuff.
1- Chaotic start, into strong midtempo theme and heavy beat. Gets into electric Miles territory... STOPS around -6:30 for a quiet phase, then raucous, almost singing horns.
2- Slow intro into a very nice '60s free jazz segment. At about -10:00, a good start/stop point.
Middle section includes a nice summery jazz jam. Ends with sad
electric guitar and strings.
3- Soft. Starts with an Eastern motif, relaxing, with flute. Some good poetry with clever wordplay, and a loungy sax break.
4- Funky! Sort of. Clanging street-jazz jam into a mid/fast groove with weird instruments. Gets into fast squiggly noises and fusiony electric bass chords.
5- Wow, angry guitar, into mad orchestral attack and outright NOISE.
Nice excerpt would be roughly -20:00 to -14:00: Noise session that
shifts into Casio tiki-lounge beat.
6- Calm Asian themes at a fast clip. Dissolves into screeches and honking, then some '60s style free jazz.
7- Blazing guitar and drums over slow, angular strings. Second half slow.
8- Manic. Crazy-quilt piano and vibes into insane electronic noise. A cool bebop break later on. Ends with fast crashing percussion.
These are long pieces (11-36 minutes in a two-disk set) that combine the composed parts with some avant-minded soloing, lots of free-space improvising and, on a couple of tracks, some wacky electronics and sound effects. Tracks go through multiple phases and do well at "telling a story." Impressive stuff.
1- Chaotic start, into strong midtempo theme and heavy beat. Gets into electric Miles territory... STOPS around -6:30 for a quiet phase, then raucous, almost singing horns.
2- Slow intro into a very nice '60s free jazz segment. At about -10:00, a good start/stop point.
Middle section includes a nice summery jazz jam. Ends with sad
electric guitar and strings.
3- Soft. Starts with an Eastern motif, relaxing, with flute. Some good poetry with clever wordplay, and a loungy sax break.
4- Funky! Sort of. Clanging street-jazz jam into a mid/fast groove with weird instruments. Gets into fast squiggly noises and fusiony electric bass chords.
5- Wow, angry guitar, into mad orchestral attack and outright NOISE.
Nice excerpt would be roughly -20:00 to -14:00: Noise session that
shifts into Casio tiki-lounge beat.
6- Calm Asian themes at a fast clip. Dissolves into screeches and honking, then some '60s style free jazz.
7- Blazing guitar and drums over slow, angular strings. Second half slow.
8- Manic. Crazy-quilt piano and vibes into insane electronic noise. A cool bebop break later on. Ends with fast crashing percussion.
Recent airplay
Is That You (Earl)? / Dogs Don't Bark at Ghosts
Memory Select — Mar 21, 2008
East on 53RD Street
Umami Jazz Program — May 04, 2004
Raincastle [excerpt]
Memory Select — Apr 30, 2004
A Murder of Crows [excerpt]
Memory Select — Apr 09, 2004
Is That You (Earl)?
Memory Select — Apr 02, 2004
Next Love (All Things Want To Fly)
Memory Select — Mar 19, 2004
Charting
2004-03-08 — 2004-05-10
Jazz
| Week Ending | Airplays |
|---|---|
| May 9 | 1 |
| May 2 | 1 |
| Apr 11 | 1 |
| Apr 4 | 1 |
| Mar 21 | 1 |
| Mar 14 | 1 |
Track listing
| 1. | Is that You (Earl)/Dogs ... | ||
| 2. | Raincastle | ||
| 3. | Sleeping Against Other ... | ||
| 4. | East on 53RD Street | ||
| 5. | A Murder of Crows | ||
| 6. | Making My Way Thru It/... | ||
| 7. | Next Love (All Things ... | ||
| 8. | Don't Look Says the Crow ... |