Returner, The
General
| Feb 2024
Reviews
Francis D
Reviewed 2024-02-22
Reviewed 2024-02-22
“The Returner” Allison Russell
Allison Russell’s sophomore release. Weaves blues, gospel, roots and jazz into ten “genre-fluid” tracks. Following the raw, cathartic storytelling in her “Outside Child” debut, this is a truly joyful celebration—a testament to her strength and resilience. Russell’s vocals are exquisite, supported by what she calls her “Rainbow Coalition” ensemble of singers. Russell also plays jazz clarinet on a handful of the tracks, as well as the banjo. The arrangements are full and rich, with piano, synth, guitar and strings. RIYL: Lana Del Rey, Kara Jackson, Yola, Pointer Sisters.
— Francis
Highly recommended: 6, 5, 2, 10, 4, 3. No FCCs detected.
1. (4:11) Springtime — Deliberately paced, lighthearted opener. Starts with strings, laughter and a choir. Builds into a fully orchestrated jazzy number.
2. (3:51) The Returner — Soulful, bluesy and joyous. Gospel choir. Lovely strings. Lap steel guitar added in the lead break. ****
3. (3:13) All Without Within — Uplifting groove. Fun, syncopated beat. Synths and guitar. Highly danceable Philly soul feeling. **
4. (4:29) Demons — Sassy, gospel-like revival track. With rich harmonies, it’s reminiscent of jazzy, soulful Pointer Sisters compositions. ***
5. (6:04) Eve Was Black — Grammy-winner for best American roots performance. Russell’s picked banjo over a dynamic soundscape with a persistent beat, which begins spare and builds throughout. Dramatic shift with about a minute left to a banjo-forward trail-out, with French vocals. ****
6. (4:10) Stay Right Here — Thumping, bumping beat, piano, strings and energetic, engaging vocals. Very radio-friendly. The first single. ****
7. (4:13) Shadowlands — Spirited, swaying and soulful with harmonized vocals, piano, guitar and synths.
8. (3:04) Rag Child — Another gospel tune with choir-like vocals and standout piano, set to a steady beat.
9. (4:38) Snakelife — Halting and a bit ominous. Walking rhythm with the bass and drums working in tandem. Tinkling piano and effects in lead break.
10. (6:14) Requiem — Gloriously hopeful, acoustic anthem. An affirmation. Marvelous harmonies. A hint of piano and synth. Lovely, sweeping washes of sound. ***
Allison Russell’s sophomore release. Weaves blues, gospel, roots and jazz into ten “genre-fluid” tracks. Following the raw, cathartic storytelling in her “Outside Child” debut, this is a truly joyful celebration—a testament to her strength and resilience. Russell’s vocals are exquisite, supported by what she calls her “Rainbow Coalition” ensemble of singers. Russell also plays jazz clarinet on a handful of the tracks, as well as the banjo. The arrangements are full and rich, with piano, synth, guitar and strings. RIYL: Lana Del Rey, Kara Jackson, Yola, Pointer Sisters.
— Francis
Highly recommended: 6, 5, 2, 10, 4, 3. No FCCs detected.
1. (4:11) Springtime — Deliberately paced, lighthearted opener. Starts with strings, laughter and a choir. Builds into a fully orchestrated jazzy number.
2. (3:51) The Returner — Soulful, bluesy and joyous. Gospel choir. Lovely strings. Lap steel guitar added in the lead break. ****
3. (3:13) All Without Within — Uplifting groove. Fun, syncopated beat. Synths and guitar. Highly danceable Philly soul feeling. **
4. (4:29) Demons — Sassy, gospel-like revival track. With rich harmonies, it’s reminiscent of jazzy, soulful Pointer Sisters compositions. ***
5. (6:04) Eve Was Black — Grammy-winner for best American roots performance. Russell’s picked banjo over a dynamic soundscape with a persistent beat, which begins spare and builds throughout. Dramatic shift with about a minute left to a banjo-forward trail-out, with French vocals. ****
6. (4:10) Stay Right Here — Thumping, bumping beat, piano, strings and energetic, engaging vocals. Very radio-friendly. The first single. ****
7. (4:13) Shadowlands — Spirited, swaying and soulful with harmonized vocals, piano, guitar and synths.
8. (3:04) Rag Child — Another gospel tune with choir-like vocals and standout piano, set to a steady beat.
9. (4:38) Snakelife — Halting and a bit ominous. Walking rhythm with the bass and drums working in tandem. Tinkling piano and effects in lead break.
10. (6:14) Requiem — Gloriously hopeful, acoustic anthem. An affirmation. Marvelous harmonies. A hint of piano and synth. Lovely, sweeping washes of sound. ***
Recent airplay
Stay Right Here, The Returner
Traditions — Mar 25, 2025
Stay Right Here
KZSU Time Traveler — Feb 21, 2025
Eve Was Black
Music Casserole — Jan 18, 2025
Demons
Music Casserole — Dec 07, 2024
Eve Was Black
Music Casserole — Jul 13, 2024
Stay Right Here
Hanging in the Boneyard — Jun 01, 2024
Charting
2024-03-03 — 2024-05-05
| Week Ending | Airplays |
|---|---|
| May 5 | 5 |
| Apr 28 | 2 |
| Apr 21 | 3 |
| Apr 14 | 2 |
| Apr 7 | 2 |
| Mar 31 | 3 |
| Mar 24 | 1 |
| Mar 17 | 1 |
Track listing
| 1. | Springtime | ||
| 2. | The Returner | ||
| 3. | All Without Within | ||
| 4. | Demons | ||
| 5. | Eve Was Black | ||
| 6. | Stay Right Here | ||
| 7. | Shadowlands | ||
| 8. | Rag Child | ||
| 9. | Snakelife | ||
| 10. | Requiem |
