| Chairman Dances, The / Child Of My Sorrow |
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| Album: | Child Of My Sorrow | Collection: | General | |
| Artist: | Chairman Dances, The | Added: | Sep 2018 | |
| Label: | Black Rd. Records | |||
| A-File Activity |
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| Add Date: | 2018-09-23 | Pull Date: | 2018-11-25 |
| Week Ending: | Nov 18 | Nov 11 | Nov 4 | Oct 28 | Oct 21 | Oct 14 | Oct 7 | Sep 30 |
| Airplays: | 2 | 2 | 3 | 2 | 4 | 2 | 2 | 1 |
Recent Airplay
| 1. | Jan 11, 2019: | KZSU Time Traveler (Top 38 of 2018) Mascot | 4. | Nov 30, 2018: | KZSU Time Traveler Mascot | |
| 2. | Dec 07, 2018: | KZSU Time Traveler No Compass, No Map | 5. | Nov 17, 2018: | Music Casserole Child Of My Sorrow | |
| 3. | Dec 04, 2018: | Clean Copper Radio & Hot Topics Child Of My Sorrow | 6. | Nov 16, 2018: | KZSU Time Traveler Mascot |
| Album Review |
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| Francis D Reviewed 2018-09-11 | ||
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“Child Of My Sorrow” The Chairman Dances The latest from one of my favorite bands. Intelligent, complex and lyric-driven indie pop-rock. Often sad, and even a bit strange at times — but with a compelling sense of irony or discovery. Pop-rock for people who like more depth than simple love songs. The Chairman Dances was simply a Philly club band until their 2016 record “Time Without Measure” put them on the map. “Child Of My Sorrow” represents a major step forward for lead singer-songwriter and multi-instrumentalist, Eric Krewson, his bandmates and talented guest artists. Highly recommended! — Francis D. Recommended: 4, 2, 1, 7, 9, 3, 11, 10. No FCCs noted. 1. (3:36) Acme Parking Garage — Atmospheric start. Then, it becomes a driving rock song with alternating passages that play off one another — building to a big, clashy finish. *** 2. (3:33) Mascot — Wry storytelling pop-rock — Eric Krewson at his most intriguing. Old-timey, almost romantic flavor. Swirling melodic synths and organ and syncopated rhythms. Tongue-in-cheek, dramatic vocals. **** 3. (4:01) Iridescent — Pulsing, stop ‘n’ go rhythm with synth bass, snare, organ, and a dash of jangly guitars. Sparkling keys. Rich, backing vocals with female harmonies. *** 4. (5:08) No Compass, No Map — Melodic, mid-tempo, piano-driven ballad. Skipping rhythm. Brass in lead break. Builds to anthemic finish. **** 5. (1:12) A Half-Mile From Allentown (Introduction) — Short, jangly intro to #6. Harmonized vocals, but no words. Bright, chimey piano. 6. (5:27) A Half-Mile From Allentown — Lilting baroque pop-rock. Swelling keyboards. Some clashy elements in the lead break with rolling drums, saxophone and vibraphone. 7. (3:43) No One Can Hurt You (Like A Friend Can Hurt You) — Piano ballad with a bit of jangly guitar. Synth. Glockenspiel. Shakers. Female harmonies blending with Krewson’s rich lead vocals. Trumpet in lead break. *** 8. (4:04) Hannah, I Know It Wasn’t Always Easy — Flowing, shimmering baroque pop-rock. Wistful vocals. Rich harmonies. 9. (4:17) Out Of The Lion’s Den, Into The Lion’s Maw — Piano and guitar in a cinematic tune. Swelling synth strings, mellotron and organ. Tumbling drums and big vocals add to the drama. *** 10. (4:12) First To Leave — Guitar folk-pop with piano and wonderful lap steel guitar played by Mike “Slo-Mo” Brenner from Magnolia Electric Company. ** 11. (3:50) Child Of My Sorrow — Gospel-like song. Warm and reassuring — with plinking and melodic piano, organ, and other keys. Great male/female lead vocals. *** | ||
| Track Listing |
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