Stevens, Bill / Lema Sabachthani
Album: | Lema Sabachthani | Collection: | Jazz | |
Artist: | Stevens, Bill | Added: | May 2012 | |
Label: | Milessmiles |
A-File Activity
Add Date: | 2012-05-26 | Pull Date: | 2012-07-29 | Charts: | Jazz |
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Week Ending: | Jul 22 | Jul 15 | Jul 8 | Jul 1 | Jun 17 | Jun 10 | Jun 3 | May 27 |
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Airplays: | 1 | 1 | 2 | 1 | 2 | 2 | 4 | 1 |
Recent Airplay
1. | Mar 26, 2022: | Music Casserole
Tenth Station, First Station |
4. | Jul 18, 2012: | maximum entropy
First Station |
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2. | Nov 06, 2018: | Clean Copper Radio & Hot Topics
Tenth Station |
5. | Jul 11, 2012: | The Mongrel's Stoop
Fifth Station, Fourth Station |
|
3. | Jun 07, 2013: | No Cover, No minimum
Fifth Station |
6. | Jul 04, 2012: | Cathartic Motion
Ninth Station |
Album Review
Fo
Reviewed 2012-05-26
Reviewed 2012-05-26
BILL STEVENS: Lema Sabachthani
Milesmiles, 2012
MODERN JAZZ – This wide-ranging suite in 15 parts takes trumpeter Stevens on a journey through Miles Davis style chromatic fusion, with a few diversions into more straight-ahead postbop sounds. His electro-acoustic sextet has plenty of like-minded, adventurous talent, and they keep it tight no matter where the music goes. This is excellent work, especially on the darker-toned Disc 1.
For background, the suite was inspired by a series of abstract paintings by Barnett Newman, who in turn was trying to relate the “stations of the cross” in the Passion of Christ to a more universal parallel of human experience. Neither the paintings nor this music are religious, but both have elements of yearning or contemplation. The title comes from Jesus’ famous cry from the cross, “why have you forsaken me?”
Fo’s Picks: Disc I – 1, 3, 4, 5, 7 Disc II – 3, 4, 5
DISC ONE
1. 12:30 – Uptempo Miles Davis fusion-funk; long solo stretches in the middle
2. 5:00 – dark fusion creep: keyboard moves gently in the gloom
3. 8:56 – solo bass intro, striding postbop w/bold optimism, even-keeled solos
4. 8:31 – slow, somber fusion w/bass clarinet: gradually rises over quiet drone
5. 9:48 – solo drums set up rolling, open postbop groove; calm piano ending
6. 4:00 – relaxed and ballad-like, short solos passed around the band
7. 6:14 – dragging pace & a very nice sound with a bluesy Miles Davis touch
DISC TWO
1. 6:10 – surprise! sort of a cheesy reggae lope with some sunny solos
2. 5:05 – upbeat fusion: chugging beat, a bit loose in the horn solos
3. 3:59 – dark marching beat, overlapping horn lines fall into catchy theme
4. 8:00 – brisk chugging pulse: trumpet drags, sax roams, guitar tweaks
5. 4:08 – relaxed acoustic piano/sax duet, a melodic pas de deux
6. 9:00 – thumping off-center beat, jabbing horns, melting keyboards, runs on
7. 5:44 – ambient crowd noise, percussion + some world-music accents
8. 8:24 – contemplative intro, flowing ballad; piano & bass solo, long ending
[ Fo ] - May 2012
Milesmiles, 2012
MODERN JAZZ – This wide-ranging suite in 15 parts takes trumpeter Stevens on a journey through Miles Davis style chromatic fusion, with a few diversions into more straight-ahead postbop sounds. His electro-acoustic sextet has plenty of like-minded, adventurous talent, and they keep it tight no matter where the music goes. This is excellent work, especially on the darker-toned Disc 1.
For background, the suite was inspired by a series of abstract paintings by Barnett Newman, who in turn was trying to relate the “stations of the cross” in the Passion of Christ to a more universal parallel of human experience. Neither the paintings nor this music are religious, but both have elements of yearning or contemplation. The title comes from Jesus’ famous cry from the cross, “why have you forsaken me?”
Fo’s Picks: Disc I – 1, 3, 4, 5, 7 Disc II – 3, 4, 5
DISC ONE
1. 12:30 – Uptempo Miles Davis fusion-funk; long solo stretches in the middle
2. 5:00 – dark fusion creep: keyboard moves gently in the gloom
3. 8:56 – solo bass intro, striding postbop w/bold optimism, even-keeled solos
4. 8:31 – slow, somber fusion w/bass clarinet: gradually rises over quiet drone
5. 9:48 – solo drums set up rolling, open postbop groove; calm piano ending
6. 4:00 – relaxed and ballad-like, short solos passed around the band
7. 6:14 – dragging pace & a very nice sound with a bluesy Miles Davis touch
DISC TWO
1. 6:10 – surprise! sort of a cheesy reggae lope with some sunny solos
2. 5:05 – upbeat fusion: chugging beat, a bit loose in the horn solos
3. 3:59 – dark marching beat, overlapping horn lines fall into catchy theme
4. 8:00 – brisk chugging pulse: trumpet drags, sax roams, guitar tweaks
5. 4:08 – relaxed acoustic piano/sax duet, a melodic pas de deux
6. 9:00 – thumping off-center beat, jabbing horns, melting keyboards, runs on
7. 5:44 – ambient crowd noise, percussion + some world-music accents
8. 8:24 – contemplative intro, flowing ballad; piano & bass solo, long ending
[ Fo ] - May 2012
Track Listing
1. | First Station | 8. | Eighth Station | |||
2. | Second Station | 9. | Ninth Station | |||
3. | Third Station | 10. | Tenth Station | |||
4. | Fourth Station | 11. | Eleventh Station | |||
5. | Fifth Station | 12. | Twelfth Station | |||
6. | Sixth Station | 13. | Thirteenth Station | |||
7. | Seventh Station | 14. | Fourteenth Station | |||
15. | Be, Ii |