Ballads Of The Research Department
General
| May 2012
Reviews
DJ Away
Reviewed 2012-06-12
Reviewed 2012-06-12
Ambient
Intimate, drop-dead beautiful adventures in sound from this experimental U.K. group. Here, The Boats have managed to create an album whose parts explore ambient and post-rock terrain but add up to a whole that sounds unlike anything else. Play anything. 1, 2 come especially recommended. No FCCs detected.
1. *(10:15)—Water sounds and grainy, swirling drones with manipulated vinyl noise. Droning choir and plucked strings (harp?). Halfway in, slowly played piano and cello emerge, eventually followed by chimes and deep electronics. A hushed rhythm enters the mix and drives the song to its conclusion.
2. *(11:42)—Soft, slow, reverb-laden guitar leads into a gentle shoegaze/slowcore song with difficult to discern vocals. The song dwindles into ambiance filled with found sounds, piano, and faint electronics. At -4:30, vocals make a comeback, accompanied by cello and minimal percussion.
3. (12:55)—Drones, piano, and strings, eventually joined by minimal drums. Halfway through, the song jumps to cheap electronic sounds for a minute before switching back to the string-led sound of the first half.
4. (11:35)—For the first four minutes, various soundscapes envelop hushed female vocals. Then everything drops away in favor of aching, melancholy strings and an unobtrusive electronic beat. Near the end, ghostly vocals and electronics come to the forefront.
Intimate, drop-dead beautiful adventures in sound from this experimental U.K. group. Here, The Boats have managed to create an album whose parts explore ambient and post-rock terrain but add up to a whole that sounds unlike anything else. Play anything. 1, 2 come especially recommended. No FCCs detected.
1. *(10:15)—Water sounds and grainy, swirling drones with manipulated vinyl noise. Droning choir and plucked strings (harp?). Halfway in, slowly played piano and cello emerge, eventually followed by chimes and deep electronics. A hushed rhythm enters the mix and drives the song to its conclusion.
2. *(11:42)—Soft, slow, reverb-laden guitar leads into a gentle shoegaze/slowcore song with difficult to discern vocals. The song dwindles into ambiance filled with found sounds, piano, and faint electronics. At -4:30, vocals make a comeback, accompanied by cello and minimal percussion.
3. (12:55)—Drones, piano, and strings, eventually joined by minimal drums. Halfway through, the song jumps to cheap electronic sounds for a minute before switching back to the string-led sound of the first half.
4. (11:35)—For the first four minutes, various soundscapes envelop hushed female vocals. Then everything drops away in favor of aching, melancholy strings and an unobtrusive electronic beat. Near the end, ghostly vocals and electronics come to the forefront.
Recent airplay
The Ballad For Achievement
minimum entropy — Feb 11, 2015
The Ballad Of Indecision, The Ballad For The Girl On The Moon
The Sunset Life — Feb 25, 2013
The Ballad For Achievement
The Sunset Life (2012 in Review) — Jan 10, 2013
The Ballad For Achievement
A Mind Redefined — Aug 09, 2012
The Ballad Of Failure
A Mind Redefined — Jul 26, 2012
The Ballad For Achievement
Summer Session — Jul 25, 2012
Charting
2012-06-16 — 2012-08-19
Classical/Experimental
| Week Ending | Airplays |
|---|---|
| Aug 12 | 1 |
| Jul 29 | 2 |
| Jul 8 | 1 |
| Jul 1 | 4 |
| Jun 24 | 1 |
Track listing
| 1. | The Ballad For Achievement | ||
| 2. | The Ballad Of Failure | ||
| 3. | The Ballad For The Girl On The Moon | ||
| 4. | The Ballad Of Indecision |